Fortunately, Cecelia had a pattern available through Ravelry - a scarf or cowl she's named 'Abelan', so I was set to try this new (or as Cecelia, after Elizabeth Zimmermann, says, 'unvented') concept for knitting. It was fun. You simply knit 9 stitches, then purl 3 stitches across a number of stitches that's a multiple of 12 stiches, plus or minus three stitches. (Cecelia's instructions are much clearer than mine!) This particular pattern is an example of what Cecelia has classified as 'serpentine' knitting where you carry the stitch repetitions from one row to the next over four rows to create the textured pattern.
I used two different but similar colours of Noro Silk Garden yarn for this scarf. The long, graded, sometimes unexpected colour sequences in this yarn are ideally suited to the textures produced by sequence knitting. I am very happy with the outcome, which I gave to my ex-husband when he visited Sydney during a particularly cold winter spell:
Indeed, I was so happy with the scarf that I did order a copy of 'Sequence Knitting' from the USA - despite its cost once I'd added in the postage. I haven't regretted my purchase for an instant. It's a beautifully produced book. Lovely paper, elegant lay-out, just enough colour, clear, helpful photographic illustrations of the stitch patterns described. And the content is just as wonderful as the book's physical form. You could say that Cecelia Campochiaro has produced a stitch dictionary. She has, but she's done so much more. She has looked behind the repetitions and sequences that produce the patterns and calculated the stitch formulas to produce a variety of textures. It's a combination of the binary of knit and purl with simple mathematics to calculate a dizzying range of possibilities. It's such a neat book - ordering, classifying, enumerating - lovely!
Once I received the book I hunted through for a formula for another scarf and chose a very simple repetition of 5 plain stitches then one purl. This in not a serpentine pattern across rows as in 'Abelan', but just a one-row pattern which really shines when knitted with two-row stripes of two different yarns. Inadvertently I've also discovered that sequence knitting is sometimes a great opportunity for using up single skeins of yarn I have in my yarn collection. This scarf, for example, uses a skein of Zauberball sock yarn in long colour changes of black and white that I've had for years together with a ball of Patonyl (an enduring Australian favourite) I purchased for $5 at a recent Inner-City Knitters' Guild yarn destash.
I hope I haven't made sequence knitting sound too complicated. It isn't. It's the absolute opposite of complicated as it simply takes combinations of purl and plain stitches - the very basic building blocks of knitting - and demonstrates the wonderful diversity of textures and patterns they can produce.
I'm already off on another project!
